“Why, that’s a sign of breeding, that is, Missie,” the man had explained. “It’s the classy ones that are always the worst.” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.!

“Why are you marrying. Flossie?” Joan asked him. She thought his point of view would be interesting. “Do you know, I shouldn’t worry about them, if I were you,” Joan advised her. “Let him forget them when he’s with you. A man can have too much of a good thing,” she laughed.

“I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.” CHAPTER XVI Joan bore the germ of worry in her breast as she crossed the Gray’s Inn Garden. It was a hard law, that of the world: knowing only winners and losers. Of course, the woman was to be pitied. No one could feel more sorry for her than Joan herself. But what had Madge exactly meant by those words: that she could “see her doing something really big,” if she thought it would help him? There was no doubt about her affection for him. It was almost dog-like. And the child, also! There must be something quite exceptional about him to have won the devotion of two such opposite beings. Especially Hilda. It would be hard to imagine any lengths to which Hilda’s blind idolatry would not lead her.